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I'm
afraid Walter Cronkite has had it, says Mom. Roger Mudd always does the news
now--how would you like to have a name like that? Walter used to do the conventions
and a football game now and then. I mean he would sort of appear, on the sidelines.
Didn't he? But you never see him anymore. Lord. Something is going on.
Mom, I say. Maybe he's just resting.
He must have made a lot of money by now. Maybe he's tired of talking about
elections and mine disasters and the collapse of the franc. Maybe he's in
love with a young girl.
He's not the type, says my mother.
You can tell that much. No, she says, I'm afraid it's cancer.
My mother has her suspicions.
She ponders. I have been home with her for two months. I ran out of money
and I wasn't in love, so I have come home to my mother. She is an educational
administrator. All winter long after work she watches television and knits
afghans.
Come home, she said. Save money.
I can't possibly do it, I said.
Jesus, I'm twenty-three years old.
Don't be silly, she said. And
don't use profanity.
She arranged a job for me in the
school system. All day, I tutor children in remedial reading. Sometimes I
am so discouraged that I lie on the couch all evening and watch television
with her. The shows are all alike. Their laugh tracks are conspicuously similar;
I think I recognize a repetition of certain professional laughters. This laughter
marks off the half hours.
Finally I make a rule: I won't
watch television at night. I will watch only the news, which ends at 7:30.
Then I will go to my room and do God knows what. But I feel sad that she sits
there alone, knitting by the lamp. She seldom looks up.
Why don't you ever read anything?
I ask.
I do, she says I read books in
my field. I read all day at work, writing those damn proposals. when I come
home I want to relax.
Then let's go to the movies.
I don't want to go to the movies,
Why should I pay money to be upset or frightened?
But feeling something can teach
you. Don't you want to learn anything?
I'm learning all the time, she
says.
She keeps knitting. She folds
yarn the color of cream, the color of snow. She works it with her long blue
needles, piercing, returning, winding. Yarn cascades from her hands in long
panels. A pattern appears and disappears. She stops and counts; so many stitches
across, so many down. Yes, she is on the right track.
Occasionally I offer to buy my
mother a subscription to something mildly informative: Ms., Rolling
Stone, Scientific American.
I don't want to read that stuff,
she says. Just save your money. Did you hear Cronkite last night? Everyone's
going to need all they can get.
Often,
I need to look at my mother's old photographs. I see her sitting in knee-high
grass with a white gardenia in her hair. I see her dressed up as the groom
in a mock wedding at a sorority party, her black hair pulled back tight. I
see her formally posed in her cadet nurse's uniform. The photographer has
painted her lashes too lushly, too long; but her deep red mouth is correct.
The war ended too soon. She didn't
finish her training. She came home to nurse only her mother and to meet my
father at a dance. She married him in two weeks. It took twenty years to divorce
him.
When we traveled to a neighboring
town to buy my high school clothes, my mother and I would pass a certain road
that turned off the highway and wound to a place I never saw.
There it is, my mother would say.
The road to Wonder Bar. That's where I met my Waterloo. I walked in and he
said, 'There she is. I'm going to marry that girl.' Ha. He sure saw me coming.
Well, I asked, why did you marry
him?
He was older, she said. He had
a job and a car. And Mother was so sick. My mother doesn't forget her mother.
Never one bedsore, she says. I
turned her every fifteen minutes. I kept her skin soft and kept her clean,
even to the end.
Imagine my mother at twenty-three;
her black hair, her dark eyes, her olive skin and that red lipstick. She is
growing lines of tension in her mouth Her teeth press into her lower lip as
she lifts the woman in the bed. The woman weighs no more than a child. She
has a smell. My mother fights it continually; bathing her, changing her sheets,
carrying her to the bathroom so the smell can be contained and flushed away.
My mother will try to protect them both. At night she sleeps in the room on
a cot. She struggles awake feeling something press down on her and suck her
breath: the smell. When my grandmother can no longer move, my mother fights
it alone.
I did all I could, she sighs.
And I was glad to do it. I'm glad I don't have to feel guilty.
No one has to feel guilty, I tell
her.
And why not? says my mother. There's
nothing wrong with guilt. If you are guilty, you should feel guilty.
My mother has often told me that
I will be sorry when she is gone.
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